After
working on the acetate boxes for weeks, I decided that I wanted to change the
direction in which my project was going. To do this, I began by looking back
over my learning agreement and starting from there. I decided that I wanted to
start using paper again as this is where my project began and where it side
tracked off into acetate. Paper is a natural resource and would therefore be
beneficial to my theme of ‘nature vs. manmade’. Some amazing pieces have been
created from paper and after doing some experimenting with it, paper reacts
brilliantly with light, better than acetate does. Paper blocks the light
whereas acetate allows light to pass through it, because of this using paper
would be more useful for me when working with light and reflections. Artists who have used the similiar aspects of; light, paper cutting and reflections have made some incredible designs.
Julia
Lohmann used laser cut dry pieces of seaweed to create this amazing lampshade.
She used Kelp strips and then sewn them together. If the kelp was not in the shape
she wanted, Lohmann would re-shape them whilst they were wet to create new and
unique forms structures. The structures would then be placed around a rattan;
Lohmann believes the rattan to be how the skeleton is to our bodies, the inner
structure that holds the form. Lohmann
believes that seaweed could be used as a form of leather and other materials.
Sean Davies designed this lampshade as part of SketchUp; it was then modified for construction in Rhino. Created from six large sheets of strong paper, the pattern was cut out by laser cut and fixed together using fabric fasteners. Tilted ‘Lamp X’, I find this piece effortlessly beautiful, the reflections portrayed in the images are exactly what I am aiming towards creating, they are visually clear and the amazing reflections created add decoration to a room. The decoration aspect is important for me, as I do want my work produced to be visually pleasing.
Working
with paper is going to be amazing. By just how my sketchbook is presented, I
think it is clear that I am precise about particular things and working with
paper is going to be one of these times. I like to present and portray precise
structures that I have found through research and primary photographs. Sticking
with the simple cube net shape, I began by cutting out my simple form of a
shell. When working with paper cutting, I like to work small scale because I
think it makes apiece look better because it has a lot of linear detail, especially
when working from one structure, if I was to work with multiple structures,
working larger would be necessary. From my photo’s it is clear to see that
paper reflects shadows so much better than acetate.
Now, my
experiments are rough samples, to give this sample a professional look and to
experiment with scale, I would try-out with using laser cutting as it would
save time and give the paper a better finish and professional finish like the examples below.
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